Відео

great video ty

What are your pick ups , I noticed they have writing on them ??? my Firebird has only two pickups I bought mine being that I am a big Fan of Johnny Winter and Edgar Winter , except mine is a Gibson not a Epiphone , but I do also like Epiphones they all play and sound awesome I have three Epiphones 2 of them are Les Paul's and one Humming Bird acoustic also in my collection I have a Gibson Gold Top and I use Marshall Amplification .

He’s an underrated blues guitarist who sing like a soul singer.

Which song is this ?

ah site doesnr exist anymore..is there tabs for this? and do you maybe know how to play the vid i find on youtube that called tasty tasty blues? i guess its some of srv too but cant find it . may be a stupid question to put here.. but i am amazed at the begin part with that slide of thatshort video. cant figer it out

Is there any tab available for this riff?

Saw him many times always put on a great show so clean is what is known as a master my favorite

String bends* you can't bend the frets.

dude! your shirt is off the chart!

awesome video, thanks man.

Better than Gary Clark Jr live?

Fast forward to 2:00

I’ve had my CUB for a year now. Couldn’t come to grips with the stock speaker and replacing it with a cannabis Rex has tamed the highs and turned a very nice amp into a brilliant one. Great job on the review btw!

The visual way you show the chords layered over each other on the fretboard is really huge! Thanks for the content!

nice, thanks man

His action looks crazy loose

Still watchin these vids... 🤘

Will the neck pickup work in jazz?

No se nota la mejora ostensiblemente como para hacer la modificación.

does he keep his index finger totally flat on the high strings( for me this is hard to hold the strings) or there's a slight arc at first joint? That confuses me so much, maybe i need more practicing .

This is reminiscent of Mississippi Hill Music hypno-driven rhythm

This is a better than the Bible...

Big Mama Thornton - Ball n Chain at around 32 seconds the guitar plays something similar but it sounds more of a pull-off than a hammer on. That’s the earliest version of that lick that I have personally heard and again… it’s not exact but it sounds like SRV could’ve put his own spin on it perhaps? Who knows.

Big Mama Thornton - Ball n Chain at around 32 seconds the guitar plays something similar but it sounds more of a pull-off than a hammer on. That’s the earliest version of that lick that I have personally heard and again… it’s not exact but it sounds like SRV could’ve put his own spin on it perhaps?

My wife and I saw Mr. Cray open for George Thorogood a couple of months ago. Great show. His bass player seemed like he was in his own world and just grooving. Awesome band!

Don't tear up it's music! There was a Time I was wone of the best bluse player around,all buy here before Ist 4 cords fond key an had song nailed! BONE MARO TRANCSPLIAN ! (CANCER) Tucke me to my needs learning what I new how to play Thank you!😎🇺🇸👍⚓️

13 years later still helping out players!! Such a wholesome time in UA-cam. I love how open you are at the start saying how this an Ad for your Full Lessons :)

Thank you for the excelent video. UA-cam is poluted with trick videos of easy riffs, instead of learning full songs. Thank you for the comments and details about why you choose this songs, and what problems i may have. ❤ much love

Good sound.....but the visuals.....for me not so musical....

This is a great analysis, enjoyed how you played and talked about the guitar. Now subscribed, and hope to learn more from you.

Well done. Thanks.

Very well played.!

At 17:32 you say you don't know if you've explained it very well. Just so you know, this is one of the best "hands on" pedal videos I have ever watched. The fact that you took the time to explain how the amp you're running the pedal into should be rather neutral in tone speaks volumes to both your knowledge and your willingness to to share it. If only I could get every pedal reviewer to be as concise and useful!

I'm really late to this discussion, but for what it's worth... 1) Very enjoyable and informative video here! Great information! 2) My longtime method for setting string height is kind of low-tech, but it has worked really well for me throughout the years. I call it "a Quarter's worth of action." Quite simply, I aim to set the height of the strings so that I can JUST BARELY slide a Quarter under them at the location of the 16th and 17th frets. I rest the Quarter on top of those two frets so that it spans them like a bridge over a river. I work with the 6th and 5th strings (as a pair) initially, then scoot the Quarter underneath the 4th and 3rd strings, and then finally underneath the 2nd and 1st strings. Ideally, I like to get it so that, when plucked gently, each string sits just high enough above the Quarter to be able to ring clearly and without buzzing against the top of the Quarter. This process gives me a nice medium-low action, and gets the strings following the fretboard radius with pretty good accuracy. That's my story and... 😊

You are the only one so far who demonstrates how to romove the old string as well, which I’ve been looking for… thank youuuu 🙏

Neat!

Over the years I have heard some of the most insanly insulting things about players and their reason for being so dynamic. It matters not the style or the fretwork but the most important thing is examples. In my home just as his had parents who kept their music on constant rotation. This provides various styles to pull from and the most amazing things can happen in doing so. Buddy Guy never really had formal lessions but when he heard Mary Had Little Lamb he used influences to improve the european one note pattern in song construction. His solo work to me in most impressive, it is not the notes he plays it is the ones he leaves out. 7 years ago I heard him do a 12 min version of 12 year old boy blues and I have to say....I was not prepared for that. It made zero sense for him to combine three styles in one song so lightly if your not paying attention you may miss it. I credit alot of his styles from Beatles songs because of the clash of notation is so insane I know he spent alot of time allowing his influences to inhabit his soul. Then again I tend to enjoy this channel for the commentary and wit. Respect is always demonstrated and thats really cool.

Hope to see RC releasing more of his stuf. I saw him live in Guildford

Being music is all based on mathmatic patterns and rules we can understqand the DNA based inner timing this music was based off of. It was communication, messaging, emotional dependance and also cosmic higher power awareness. It may sound crazy but when you know how many artists and legonds kept their own time and often talked throughout preformances. Monk, Lonnie Johnson, Cousin Joe Pleasent, Mingus, Art Blakey, Duke even Larry Carlton, Joe Pass, Elton John and Peter Frampton. Robert Cray has it and it shows when you see him live. His style is complicated but very basic as he hits the notes most players leave behind. This provides a strong back to any progression and adds flair to the notation used. Back in the 1950 pylyrythims were the Magic of Jazz. People were amazed then it was explained. Now we know but all is hidden because remember, the queen handed out whiteness and your supposed to hate everything black people do or take it and claim it for yourself. Its like when i was on college and could only complete a assignment if there was eithr a TV or Radio on while I was doing it. Thinking and managing two or more things at once is a sign and evidence of very high intellect. I do apprecieate the way you worded the title.

Ha,You are the first person I ever found on here to detail this subject. I was beginning to wonder if anybody ever would after I got curious about how some people learn so fast while other take forever and some practically never really get it even though they all try.

the fact that you are doing this says a lot.

Fantastic!, love the in depth. Inspiring

Albert King started out as a drummer, so, timing, in spades, he had, and then thrown in his left handed, upside down, one of a kind tuning, and he was a Blues Killer, the very best!

Can you PLEASE go through your setup and post it, this time is perfect

It’s in the Hendrix version but not in the SRV version is why you’re on about this.

Fantastic thank you. All knowledge is power. A great help👍

Brilliant

I can’t for the life of me understand how that court was missed. It is a huge component of the harmony that makes the song so interesting. But I love all your stuff!

that passage from Am to C to G, sounds very very good, you're completely right. It is not written in any transcription, but it sounds much better than without. Harmonically it's clear why (it becomes a V to I, rather than a VI to I). In my opinion, it should be highlighted also when soloing. Thanks a lot again

Awesome stuff my friend! I was fortunate to see Robert and his fab band in Ginza, Tokyo 2015 I think it was. I currently reside in Southern Japan now, am hoping I can catch another show...